February 26, 2011
YES!
I say this one's for us Sherry. Did it a while ago, (alright,alright so 2 years ago). May have posted it back then, or maybe not.. I'm painting window boxes and other things right now. !
February 18, 2011
I Can Hear It. !
I came across this little painting while looking for something else. Isn't that always the way? You can see by the date it was eighteen years ago. Just a little 8x10 and of course I knew nothing about calligraphy or the quote would have been in better handwriting.. no matter, the saying still stands.
February 6, 2011
Artist Showcase !
Some of my work has been posted on The Artist Showcase at http://www.JWJonline.net/Showcase or at JWJart if you'd like to see it . I am so pleased to be part of it and all of my thanks to John who presented it in such a manner.. while there check on some of his work , I think you'll be pleasantly surprised .!
February 5, 2011
Sunshine Anyone?
Oh, just this morning I was so frustrated trying to paint .. I'd done this but with 3 in the painting and it went into the trash... After talking with one of my fellow bloggers I decided to give it another try. Only using two colors (flower) Indian Yellow (IY) and Brown Madder Alizaron (BMA) very wet , letting the water do all the work.. I was pleased with it only because its been a few weeks since brush was in hand.. and no ,, its not like riding a bicycle it's constant practice ...
February 3, 2011
What it Takes to do This ?
I get many comments and questions when I post a drawing. I thought it might be helpful to give a short tutorial on my materials and how I do it.
I prefer smooth Bristol for my style which is very detailed, a full range of Derwent and/or Staedlter drawing pencils usually starting with a B or 2B. To achieve the darks going right on up to a 7B.. Tortillon stump for blending or my finger, and of course my trusty kneaded eraser. I can form that eraser to make extremely fine lines.. I prefer it although I have a small electric eraser. Theres a lot of negative drawing. Taking away 'the lights' as well as putting in the dark strokes. The most important aspect of drawing realistic pencil art is lights and darks.. You cannot show light without darks.. Very much like painting.. My strokes can be anything that suits the area, crosshatch, diagonals, anything that works in that particular space. Pencil is a real challenge, you have nothing more than pencil and paper. There is no color to fall back on., not a whole lot of tricks or techniques as in watercolor . When I'm sure its all finished , nothing else can happen to it, I'm then just beginning ..I take it to yet another level and will do that again and again. I'm not sketching here, I'm trying to do a realistic detailed piece . The challenge stays on and on. What does it take? Patience , . and then more patience. It never ends !
So thats what I use, how I go about it and hope that answers some of your questions. Above of course is Gracie, whose grandfather Stephen is an excellent photograhper and I had his permission to do it a few years ago.
I prefer smooth Bristol for my style which is very detailed, a full range of Derwent and/or Staedlter drawing pencils usually starting with a B or 2B. To achieve the darks going right on up to a 7B.. Tortillon stump for blending or my finger, and of course my trusty kneaded eraser. I can form that eraser to make extremely fine lines.. I prefer it although I have a small electric eraser. Theres a lot of negative drawing. Taking away 'the lights' as well as putting in the dark strokes. The most important aspect of drawing realistic pencil art is lights and darks.. You cannot show light without darks.. Very much like painting.. My strokes can be anything that suits the area, crosshatch, diagonals, anything that works in that particular space. Pencil is a real challenge, you have nothing more than pencil and paper. There is no color to fall back on., not a whole lot of tricks or techniques as in watercolor . When I'm sure its all finished , nothing else can happen to it, I'm then just beginning ..I take it to yet another level and will do that again and again. I'm not sketching here, I'm trying to do a realistic detailed piece . The challenge stays on and on. What does it take? Patience , . and then more patience. It never ends !
So thats what I use, how I go about it and hope that answers some of your questions. Above of course is Gracie, whose grandfather Stephen is an excellent photograhper and I had his permission to do it a few years ago.
February 2, 2011
Pencil Works
I start with the drawing, usually I do the eyes first if I'm doing a portrait. If the eyes are right ,, your half way home. and it gives the piece life from the start .
Other subjects are still all about light and dark. Just when I think I'm finished I still work on it .. and have been know to go back to it even after I signed my name..
Pencils, I like Derwent , a full range although I might just use from 5B to 2H.
A hand sharpner is better for me than electric or using a knife .. I want a good point on it. Paper is usually Bristol smooth surface.. It's always a personal preference, but since I like detail and realism I get the most out of a smooth paper..
If you have any questions write me at my email address. BJ
Blending, blending either with a tortillion stump or even my pinky finger.. .
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